Deeply moved by the landscape and its grandiose, silent or bizarre presence, Clemens Tremmel works on a personal and contemporary capture of this great theme in haunting, impulsive paintings. With German Romanticism in mind, the artist reflects on the subject in a sensitive to brute manner. Tremmel is particularly familiar with the unconventional approach of Caspar David Friedrich.
However, his subjects almost rarely appear on aluminium panels without being broken, disturbed, damaged, shattered and sometimes almost destroyed. These reflect light, partly mirror the surrounding space and are sometimes dramatically demolished. The technically connoted material, which is omnipresent in modern high-tech products, also acts as a corrective to the naturalness of the pictorial motif.